Finding somewhere to pitch starts with the kind of show you are making and the stage it has reached. A producer looking for a development project has a different role from a broadcaster commissioning a finished package. A public contact address alone does not mean a company accepts scripts or unsolicited ideas.
Use these guides to research a focused shortlist, read submission policies, approach a partner without implying an attachment you do not have, and prepare an introduction that makes the series understandable. The company examples are linked to their own policies; always check the current requirements before sending material.
Our own submission route is open to original show ideas. A short hook and contact details are enough for a first introduction, with scripts, decks, and bibles available as optional supporting material. A submission begins a review, with any further development or funding terms discussed separately.